June Art Bead Scene Challenge
The Art Bead Scene June Challenge
Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family. The young Bertrand-Jean Redon acquired the nickname "Odilon" from his mother, Odile. Redon started drawing as a child; and, at the age of ten, he was awarded a drawing prize at school. He began the formal study of drawing at fifteen; but, at his father's insistence, he changed to architecture. Failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he briefly studied painting there under Jean-Léon Gérôme in 1864. (His younger brother Gaston Redon would become a noted architect.)
Back in his native Bordeaux, he took up sculpting, and Rodolphe Bresdin instructed him in etching and lithography. His artistic career was interrupted in 1870 when he was drafted to serve in the army in the Franco-Prussian War until its end in 1871.
At the end of the war, he moved to Paris and resumed working almost exclusively in charcoal and lithography. He called his visionary works, conceived in shades of black, his noirs. It was not until 1878 that his work gained any recognition with Guardian Spirit of the Waters; he published his first album of lithographs, titled Dans le Rêve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s pastel and oils became his favored media; he produced no more noirs after 1900. In 1899, he exhibited with the Nabis at Durand-Ruel's.
Redon had a keen interest in Hindu and Buddhist religion and culture. The figure of the Buddha increasingly showed in his work. Influences of Japonism blended into his art, such as the painting The Death of the Buddha around 1899, The Buddha in 1906, Jacob and the Angel in 1905, and Vase with Japanese warrior in 1905, amongst many others.[4][5]
Baron Robert de Domecy (1867–1946) commissioned the artist in 1899 to create 17 decorative panels for the dining room of the Château de Domecy-sur-le-Vault near Sermizelles in Burgundy. Redon had created large decorative works for private residences in the past, but his compositions for the château de Domecy in 1900–1901 were his most radical compositions to that point and mark the transition from ornamental to abstract painting. The landscape details do not show a specific place or space. Only details of trees, twigs with leaves, and budding flowers in an endless horizon can be seen. The colours used are mostly yellow, grey, brown and light blue. The influence of the Japanese painting style found on folding screens byōbu is discernible in his choice of colours and the rectangular proportions of most of the up to 2.5 metres high panels. Fifteen of them are located today in the Musée d'Orsay, acquisitioned in 1988.
Domecy also commissioned Redon to paint portraits of his wife and their daughter Jeanne, two of which are in the collections of the Musée d'Orsay and the Getty Museum in California. Most of the paintings remained in the Domecy family collection until the 1960s.
In 1903 Redon was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio in 1913; that same year, he was given the largest single representation at the New York Armory Show, in Utica, New York.
Redon died on July 6, 1916.
—Wikipedia
Back in his native Bordeaux, he took up sculpting, and Rodolphe Bresdin instructed him in etching and lithography. His artistic career was interrupted in 1870 when he was drafted to serve in the army in the Franco-Prussian War until its end in 1871.
At the end of the war, he moved to Paris and resumed working almost exclusively in charcoal and lithography. He called his visionary works, conceived in shades of black, his noirs. It was not until 1878 that his work gained any recognition with Guardian Spirit of the Waters; he published his first album of lithographs, titled Dans le Rêve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s pastel and oils became his favored media; he produced no more noirs after 1900. In 1899, he exhibited with the Nabis at Durand-Ruel's.
Redon had a keen interest in Hindu and Buddhist religion and culture. The figure of the Buddha increasingly showed in his work. Influences of Japonism blended into his art, such as the painting The Death of the Buddha around 1899, The Buddha in 1906, Jacob and the Angel in 1905, and Vase with Japanese warrior in 1905, amongst many others.[4][5]
Baron Robert de Domecy (1867–1946) commissioned the artist in 1899 to create 17 decorative panels for the dining room of the Château de Domecy-sur-le-Vault near Sermizelles in Burgundy. Redon had created large decorative works for private residences in the past, but his compositions for the château de Domecy in 1900–1901 were his most radical compositions to that point and mark the transition from ornamental to abstract painting. The landscape details do not show a specific place or space. Only details of trees, twigs with leaves, and budding flowers in an endless horizon can be seen. The colours used are mostly yellow, grey, brown and light blue. The influence of the Japanese painting style found on folding screens byōbu is discernible in his choice of colours and the rectangular proportions of most of the up to 2.5 metres high panels. Fifteen of them are located today in the Musée d'Orsay, acquisitioned in 1988.
Domecy also commissioned Redon to paint portraits of his wife and their daughter Jeanne, two of which are in the collections of the Musée d'Orsay and the Getty Museum in California. Most of the paintings remained in the Domecy family collection until the 1960s.
In 1903 Redon was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio in 1913; that same year, he was given the largest single representation at the New York Armory Show, in Utica, New York.
Redon died on July 6, 1916.
—Wikipedia
Again, handmade pewter charms from Inviciti! How perfect! I used some vintage rings and beautiful polymer beads by Graceful Willow Beads on Etsy.
Okay, I had a blast with these! I hand painted some milagro charms, and believe it or not, I painted them these colors before I saw the challenge painting...LOL . No, really! The fabric Cocoons are by my wonderful friend Anna Pierson of Sagahus Components you can find her on facebook!
Thank you so much for popping in! I loved this painting more than anything and could have gone on and on making more pieces!!
Loralee :) . xo . meow!
When I first saw these pieces on the pinterest board, I went "Whattttt?? did someone set the challenge with these pieces as the inspiration?" These earrings are so perfect and super gorgeous. I am sure that you'll get loads of requests to make them again for sale, once you wear them
ReplyDeleteGreat pops of colour in all your earrings. They're all excellent interpretations
ReplyDeleteMona
Love the colors of the beads and components: they match perfectly to the painting's colors. Great job!
ReplyDeleteWow! your pieces are super fun and vibrant! I love the cocoons from Anna, they fit perfectly! Great job!
ReplyDeleteTo make three perfect pieces for one challenge and have them all stand as beautiful on their own is such a fun accomplishment. Lovely!
ReplyDelete